Bandmaster amp12/8/2022 This makes it possible to adapt to small and big stages and gigs just by configuring the speakers. Anyone have experience with this? is also an option, buying directly from a person might be preferable but I'd also like to pay as little as possible so I'm keeping my options open. The blackface and silverface Bandmasters are medium/big sounding amps with a flexible speaker impedance of 4 ohm, allowing anything between one and four speakers (8 ohm each) to be connected via the main and/or external speaker jack. I've also heard people who are hesitant to buy vintage from GC. GC has some good online prices on the head/cab setup, so I could go for one of those and potentially flip the cab, or see if they'd sell the head alone for less. I want an amp that I can use and that sounds good, not something overly expensive that I'll need to take to a tech. Also I'm not a stickler for originality if something is a definitive improvement (ie 3 prong power cord). Make and Model: Fender Bandmaster 5E7 circuit Year: 1957. It's been played but has retained its original transformers and tweed It's now is excellent playing condition and sounds like a dream. BANDMASTER AMP PORTABLEI'd likely pair it with a Mojotone Lite 1x12 for a nice portable set up.Īssuming they are worth it, what should I look out for or avoid? I'm pretty much a noob when it comes to amps. This vintage 1957 Fender Bandmaster guitar amp with tweed covering has just come from the son of the original owner. As was the case with most vintage Fender amps, the Bandmaster underwent a series. Pete Townshends use of a 1959 Fender Bandmaster amplifier in the studio, along with his Gretsch Chet Atkins Hollow Body and his Edwards pedal steel volume. The amp shown here is one of the very last silverface Bandmasters produced with the blackface AB763 circuit.The title just about says it all, are old Bandmaster's good amps? My PRRI is currently my only amp but I'm thinking about selling it (and a couple other pieces of gear) to get in on that vintage Fender goodness. The classic Fender Bandmaster is one of Fenders most iconic early amplifiers. In June 1968, the Bandmaster was given the infamous AC568 silverface circuit. In addition, the speaker cabinet was enlarged and ported. ’67 to July ’68) had aluminum grill trim, black vertical lines on the control panel, and a highly textured version of the famous silver/blue sparkle grill cloth. In August 1967, Fender changed the cosmetics once again, this time to the silverface style. BANDMASTER AMP PROReplacement for 68 Custom Pro Reverb Reissue Fender PN: 125P5D, 022798 PAM-PT-40-19R 142.00. Model: Oxford 12T6 or Utah 12(For more info, check out the Jensen Replacement Speakers) A classic Fender piggy-back amp This amp sounds excellent and is in very good condition showing only light signs of wear. Bandmaster Reverb Amp: AA768, AA1069 AA270.Logo: Grill mounted, raised, chrome & black, script Blue sparkle grille cloth without aluminum frame ~ 1970-1974.Blue sparkle grille cloth w/ aluminum frame ~ 1968-1969.Handle: Black strap handle with Chrome ends(x2).Hardware: Large Chassis Straps 5 5/8″, Side Bar Clips, 16″ Tilt-Back Legs, Thumb screws, Thumb screw receptacles. Use our extensive knowledge, experience and customer feedbackto select re-tube packages that will work great in your tube amp. We’ve been supplying tubes for over 20 years. The Bandmaster features the classic Blackface AB763 circuit-cherished for its deep and sparkly clean tone and agressive overdrive tone that punches through. This 2010 reissue Fender 57 Bandmaster combo guitar amplifier is a 26 watt amp that features tube circuitry based on the 50s 5E7 circuit, three 10 inch Jensen P10R-F speakers, two instrument and two mic inputs. These vacuum tubes are known to get the job done on a budget. The Bandmaster was introduced in 1953 and discontinued in 1974.
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